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Title: Kelly's 8 French Country Dances, No. 6 or Tranise Figure
Description: Quadrille

M1

L1

M2

L2

M3

L3

M4

L4

M5

L5

M6

L6

M7

L7

M8

L8

8,12,0,1000,2 12,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 96,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 12,246,167,182,335,115,202,315,268,180,167,248,335,115,268,315,202 12,248,208,182,335,115,202,315,268,182,208,248,335,115,268,315,202 6,248,193,182,335,115,202,315,268,182,193,248,335,115,268,315,202 6,248,171,182,335,115,202,315,268,182,171,248,335,115,268,315,202 6,248,149,182,335,115,202,315,268,182,149,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 12,246,167,182,335,115,202,315,268,180,167,248,335,115,268,315,202 12,248,208,182,335,115,202,315,268,182,208,248,335,115,268,315,202 6,248,193,182,335,115,202,315,268,175,234,248,335,115,268,315,202 6,248,171,182,335,115,202,315,268,165,273,248,335,115,268,315,202 6,248,149,182,335,115,202,315,268,155,311,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,149,336,248,335,115,268,315,202 6,242,162,182,335,115,202,315,268,156,296,248,295,115,268,315,202 6,232,203,182,335,115,202,315,268,166,235,248,234,115,268,315,202 6,222,243,182,335,115,202,315,268,176,174,248,174,115,268,315,202 6,215,269,182,335,115,202,315,268,182,135,248,135,115,268,315,202 6,226,269,182,335,115,202,315,268,195,135,235,135,115,268,315,202 6,236,269,182,335,115,202,315,268,215,135,215,135,115,268,315,202 6,236,269,182,335,115,202,315,268,235,135,195,135,115,268,315,202 6,226,269,182,335,115,202,315,268,248,135,182,135,115,268,315,202 6,230,242,182,335,115,202,315,268,248,175,175,175,115,268,315,202 6,237,201,182,335,115,202,315,268,248,236,165,236,115,268,315,202 6,244,161,182,335,115,202,315,268,248,296,155,297,115,268,315,202 6,248,135,182,335,115,202,315,268,248,335,149,336,115,268,315,202 6,248,135,182,335,115,202,315,268,228,345,169,326,115,268,315,202 6,248,135,182,335,115,202,315,268,199,351,198,320,115,268,315,202 6,248,135,182,335,115,202,315,268,169,346,228,325,115,268,315,202 6,248,135,182,335,115,202,315,268,149,336,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,156,296,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,166,235,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,176,174,248,335,115,268,315,202 6,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 12,248,122,182,348,115,202,315,268,182,148,248,322,115,268,315,202 12,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 6,237,142,193,328,115,202,315,268,193,128,237,342,115,268,315,202 6,224,145,206,325,115,202,315,268,206,125,224,345,115,268,315,202 6,211,142,219,328,115,202,315,268,219,128,211,342,115,268,315,202 6,206,135,224,335,115,202,315,268,224,135,206,335,115,268,315,202 6,212,128,218,342,115,202,315,268,218,142,212,328,115,268,315,202 6,223,125,207,345,115,202,315,268,207,145,223,325,115,268,315,202 6,237,128,193,342,115,202,315,268,193,142,237,328,115,268,315,202 6,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 0,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202

2:0:Introduction and Honours (8 bars)^3:4:The first couple advance and retire^9:4:The first couple advance again, the man leaves his lady on the left of the opposite man and returns back to his place^15:2:The two ladies cross the set into opposite places as the first man passes between them and turns to face them^19:2:The two ladies Chassez Croisez to change sides as the man sets before them^23:2:The two ladies cross the set again, the man passes between them back to his place^27:2:The two ladies change sides again, avoiding the second man^31:4:The first lady crosses home and sets to her partner (the second lady may set to her partner too)^37:4:The head couples two hand turn^45:0:Repeat dance for 2nd lady, 3rd lady and 4th lady^

 

Kelly_6_Tranise.mp3

barscount

This is a crib line 


Further Information:

Source: 8 French Country Dances
Authority: Kelly, Michael
Year: 1804 circa
Tune: No. 6 or Tranise Figure
 
 
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This dance is reconstructed from an authentic source as noted above, but you might encounter it being taught in a different fashion. Popular dances were often published more than once, sometimes with different figures, or even with different tunes; our version is faithfully reconstructed and historically informed, but alternative arrangements can be equally satisfying

 

 

 

 

 

 

 

 

 

 

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